I'm working in the animation industry as a story artist from three years and I have collaborated on unannounced feature film with Bardel, on an insect TV series with Aardman called Lloyd of the Flies, on several projects with Blue Zoo, including a crazy adventure series comedy with animals called Big Tree City, and I also often work for commercials, especially with Golden Wolf on several projects, including NBA Jam. My works are always influenced by everything around me. In particular photographs, paintings, illustrations and also LEGO, works that can tell a moment or a story with just an image. So every time I wonder what happens to this image afterwards? What happens if I use this composition throughout all my story or this photographic lens? And all of this I try to blend into stories like I was playing with LEGO as a kid.

Hi, I’m Plamen. I’ve been in the industry for 8 years as both a rigger and animator but have focused on rigging roles recently. During my career I’ve worked on several shows for the BBC, Nickelodeon, Amazon and Netflix. I currently work at Dog Ears as a Lead Technical Animator on an upcoming show in partnership with Cartoon Saloon. My favourite aspects of rigging are problem solving and collaborating with the design and animation teams to develop the show’s rigging style.

I'm from Sonora, México. I love to put my hand in all the projects and all the tasks I'm given. I have been part of Mighty Animation for eight years and I´m all around the pipeline the last few years: storyboard, animation, rigs, visdev, bg, supervising and directing. Either way, every project has its charm and I'm very happy every time we see the final outcome.