I’ve been working in animation for 35 years, from commercials to features. Started as an inbetweener, and went on to animate, storyboard and direct. Credits include The Lion King, Mulan, Brother Bear, and dozens of episodes of VeggieTales (several of which I directed). For the last 10 years I’ve been a freelance storyboard artist. My clients have been indie features (i.e. Animal Crackers), as well as TV shows like Scooby Doo and Dorothy and the Wizard of Oz for Warners. I also teach storyboarding at Lipscomb University in Nashville.

I'm working in the animation industry as a story artist from three years and I have collaborated on unannounced feature film with Bardel, on an insect TV series with Aardman called Lloyd of the Flies, on several projects with Blue Zoo, including a crazy adventure series comedy with animals called Big Tree City, and I also often work for commercials, especially with Golden Wolf on several projects, including NBA Jam. My works are always influenced by everything around me. In particular photographs, paintings, illustrations and also LEGO, works that can tell a moment or a story with just an image. So every time I wonder what happens to this image afterwards? What happens if I use this composition throughout all my story or this photographic lens? And all of this I try to blend into stories like I was playing with LEGO as a kid.

Mohamed is a senior animator, living in Bristol with a decade of experience working for studios like Turner, Blind Pig, A Productions, Lighthouse Studios, Kavaleer, Interference Pattern and more! Mohamed started as an intern through Creative Access at Illuminated Films. Since then he has gone to work in a variety of positions. He is currently working at Blinkink as a Senior Animator.